Notorious | 1946
Updated April 3, 2021
Critical Consensus
Alasdair Bayman | Cinevue
Marjorie Baumgarten | The Austin Chronicle
Bosley Crowther | The New York Times
Wally Hammond | TimeOut
Roger Ebert | RogerEbert.com
Dave Kehr | Chicago Reader
Peter Bradshaw | The Guardian
Mike Massie | Gone With The Twins
Matt Brunson | Film Frenzy
Patrick Nabarro | Patrick Nabarro
David Parkinson | RadioTimes
Jeffrey M. Anderson | Combustible Celluloid
Sarah Cartland | Caution Spoilers
Chris Cabin | Slant Magazine
David Nusair | Reel Film Reviews
Marjorie Baumgarten | The Austin Chronicle
Bosley Crowther | The New York Times
Wally Hammond | TimeOut
Roger Ebert | RogerEbert.com
Dave Kehr | Chicago Reader
Peter Bradshaw | The Guardian
Mike Massie | Gone With The Twins
Matt Brunson | Film Frenzy
Patrick Nabarro | Patrick Nabarro
David Parkinson | RadioTimes
Jeffrey M. Anderson | Combustible Celluloid
Sarah Cartland | Caution Spoilers
Chris Cabin | Slant Magazine
David Nusair | Reel Film Reviews
Fix a critic’s review
Summary & Info
Feeling guilty after her German father is convicted of treason against the US, a woman (Ingrid Bergman) is persuaded by a government agent (Cary Grant) to use her infamy in order to spy on Nazis operating out of Brazil. Her mission becomes fraught with complications when she is instructed to seduce a Nazi leader, while also falling in love with the American agent. Cast: Claude Rains and Louis Calhern. Director: Alfred Hitchcock. [1:41 – NR]
Dueling Critics
“Notorious is a masterclass of suspense, romance and technical craft…Whether this is Tetzlaff’s flowing camera around the film’s rich interiors or Hitchcock’s famous ability to build suspense out of thin air, ‘Notorious’ is a phenomenally rich experience whether it is on the first or the hundredth viewing. Hitchcock’s most emotionally nuanced and most adult depiction of relationships feels as vital as ever.”
“Despite it’s many positive attributes, however, Alfred Hitchcock’s ‘Notorious,’ which progresses at a seriously deliberate pace, suffers from a watchable yet rarely engrossing vibe that persists throughout the overlong running time – with the movie boasting only a small handful of truly captivating sequences. ”
Video
Notorious | 1946
Updated April 3, 2021
Critical Consensus
Alasdair Bayman | Cinevue
Marjorie Baumgarten | The Austin Chronicle
Bosley Crowther | The New York Times
Wally Hammond | TimeOut
Roger Ebert | RogerEbert.com
Dave Kehr | Chicago Reader
Peter Bradshaw | The Guardian
Mike Massie | Gone With The Twins
Matt Brunson | Film Frenzy
Patrick Nabarro | Patrick Nabarro
David Parkinson | RadioTimes
Jeffrey M. Anderson | Combustible Celluloid
Sarah Cartland | Caution Spoilers
Chris Cabin | Slant Magazine
David Nusair | Reel Film Reviews
Marjorie Baumgarten | The Austin Chronicle
Bosley Crowther | The New York Times
Wally Hammond | TimeOut
Roger Ebert | RogerEbert.com
Dave Kehr | Chicago Reader
Peter Bradshaw | The Guardian
Mike Massie | Gone With The Twins
Matt Brunson | Film Frenzy
Patrick Nabarro | Patrick Nabarro
David Parkinson | RadioTimes
Jeffrey M. Anderson | Combustible Celluloid
Sarah Cartland | Caution Spoilers
Chris Cabin | Slant Magazine
David Nusair | Reel Film Reviews
Fix a critic’s review
Dueling Critics
“Notorious is a masterclass of suspense, romance and technical craft…Whether this is Tetzlaff’s flowing camera around the film’s rich interiors or Hitchcock’s famous ability to build suspense out of thin air, ‘Notorious’ is a phenomenally rich experience whether it is on the first or the hundredth viewing. Hitchcock’s most emotionally nuanced and most adult depiction of relationships feels as vital as ever.”
“Despite it’s many positive attributes, however, Alfred Hitchcock’s ‘Notorious,’ which progresses at a seriously deliberate pace, suffers from a watchable yet rarely engrossing vibe that persists throughout the overlong running time – with the movie boasting only a small handful of truly captivating sequences. ”
Summary & Info
Feeling guilty after her German father is convicted of treason against the US, a woman (Ingrid Bergman) is persuaded by a government agent (Cary Grant) to use her infamy in order to spy on Nazis operating out of Brazil. Her mission becomes fraught with complications when she is instructed to seduce a Nazi leader, while also falling in love with the American agent. Cast: Claude Rains and Louis Calhern. Director: Alfred Hitchcock. [1:41 – NR]