The Tragedy of Macbeth | 2021
Updated December 26, 2022
Critical Consensus
Bill Goodykoontz | Arizona Republic
Helen O’Hara | Empire
Peter Bradshaw | The Guardian
Odie Henderson | RogerEbert.com
Richard Roeper | Chicago Sun-Times
Michael Phillips | Chicago Tribune
Roger Moore | Movie Nation
Josh Larsen | LarsenOnFilm
Mark Feeney | Boston Globe
Isaac Butler | Slate
K. Austin Collins | Rolling Stone
David Sims | The Atlantic
Mick LaSalle | San Francisco Chronicle
Richard Lawson | Vanity Fair
Richard Brody | The New Yorker
Helen O’Hara | Empire
Peter Bradshaw | The Guardian
Odie Henderson | RogerEbert.com
Richard Roeper | Chicago Sun-Times
Michael Phillips | Chicago Tribune
Roger Moore | Movie Nation
Josh Larsen | LarsenOnFilm
Mark Feeney | Boston Globe
Isaac Butler | Slate
K. Austin Collins | Rolling Stone
David Sims | The Atlantic
Mick LaSalle | San Francisco Chronicle
Richard Lawson | Vanity Fair
Richard Brody | The New Yorker
Fix a critic’s review
Summary & Info
Denzel Washington and Frances McDormand star as Macbeth and Lady Macbeth in this adaptation of Shakespeare’s Scottish play. It is a tale of ambition, murder, ruthlessness and madness, but also about struggling with one’s conscience and accepting the inevitability of fate. Cast: Alex Hassell, Bertie Carvel, Brendan Gleeson, Corey Hawkins, Harry Melling, Miles Anderson, Matt Helm, Moses Ingram and Kathryn Hunter. Director: Joel Coen. [1:45 – R]
Dueling Critics
“It’s remarkable. Everything about the film is, starting with Joel Coen’s direction…but hardly ending there. Washington’s performance, Frances McDormand as Lady Macbeth, the stark and beautiful black-and-white cinematography (courtesy of Bruno Delbonnel), Carter Burwell’s horror-movie score — what a movie.”
“Coen transforms the play’s poetry into dialogue, spoken by actors who seem stranded with the task of merely delivering their lines. Coen sets out to normalize Shakespearean language, but he ends up going too far. His actors speak in conversational voices that, in spurning theatricality, also leave out nuanced expression.”
Video
The Tragedy of Macbeth | 2022
Updated December 26, 2022
Critical Consensus
Bill Goodykoontz | Arizona Republic
Helen O’Hara | Empire
Peter Bradshaw | The Guardian
Odie Henderson | RogerEbert.com
Richard Roeper | Chicago Sun-Times
Michael Phillips | Chicago Tribune
Roger Moore | Movie Nation
Josh Larsen | LarsenOnFilm
Mark Feeney | Boston Globe
Isaac Butler | Slate
K. Austin Collins | Rolling Stone
David Sims | The Atlantic
Mick LaSalle | San Francisco Chronicle
Richard Lawson | Vanity Fair
Richard Brody | The New Yorker
Helen O’Hara | Empire
Peter Bradshaw | The Guardian
Odie Henderson | RogerEbert.com
Richard Roeper | Chicago Sun-Times
Michael Phillips | Chicago Tribune
Roger Moore | Movie Nation
Josh Larsen | LarsenOnFilm
Mark Feeney | Boston Globe
Isaac Butler | Slate
K. Austin Collins | Rolling Stone
David Sims | The Atlantic
Mick LaSalle | San Francisco Chronicle
Richard Lawson | Vanity Fair
Richard Brody | The New Yorker
Fix a critic’s review
Dueling Critics
“It’s remarkable. Everything about the film is, starting with Joel Coen’s direction…but hardly ending there. Washington’s performance, Frances McDormand as Lady Macbeth, the stark and beautiful black-and-white cinematography (courtesy of Bruno Delbonnel), Carter Burwell’s horror-movie score — what a movie.”
“Coen transforms the play’s poetry into dialogue, spoken by actors who seem stranded with the task of merely delivering their lines. Coen sets out to normalize Shakespearean language, but he ends up going too far. His actors speak in conversational voices that, in spurning theatricality, also leave out nuanced expression.”
Summary & Info
Denzel Washington and Frances McDormand star as Macbeth and Lady Macbeth in this adaptation of Shakespeare’s Scottish play. It is a tale of ambition, murder, ruthlessness and madness, but also about struggling with one’s conscience and accepting the inevitability of fate. Cast: Alex Hassell, Bertie Carvel, Brendan Gleeson, Corey Hawkins, Harry Melling, Miles Anderson, Matt Helm, Moses Ingram and Kathryn Hunter. Director: Joel Coen. [1:45 – R]